The Google doc for braille support is here: link






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Supercrip is a 2D animated story about the grief of chronic illness through the only lens strange enough to suffice: magic and cults. Animated by disabled girls. Crowdfunded by exclusively hot and cool people, who want to see Supercrip exist for themselves and others. Made possible by an accessible production and animatic style.
A love ransom letter to all the girls who didn't think they'd live this long: our lives in sick and painful brains and bodies are still worth living.
As told by
Heidi - a self-explosive firefighter
Bark Twain - Heidi's cardiac-alert service dog
Lola - chased by cosmic horror, sorry to be a bother
Subin - an unpaid intern at a cult.
Each holding each others' fates in their very clumsy hands, each an inversion of the three most pervasive disability tropes: The victim, villain, and supercrip.





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![An example of the back of a Supercrip postcard. It has a dainty grid pattern as the background, in the upper right-hand corner there is a light pink box. In blue ink a demonstration of what to write has been added to the postcard. In the pink box, under "To:" reads "Jane Doe" in fancy calligraphy and in the body of the postcard it reads "Hey! Piss & Shit - Love [your name here]" with a drawing of a stick figure holding "award for being good friend" and an arrow pointing to the stick figure saying "you"](https://cdn.prod.website-files.com/604ad04926c6346642c92c6e/6866f3864270c6023d08df5d_IMG_2171.png)

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⋙ Supercrip is a post-modernist fantasy-comedy
⋙ Our current production is committed solely to episode one of a proposed limited series
⋙ ~ 30 min episode runtime
⋙ Episode one will be published to YouTube
⋙ Phase one of production was successfully funded by a grassroots crowdfund ($6k goal, $6k raised)
⋙ Made possible by Limited Frame Animation (animatic style)
⋙ If you liked any of the following, you'll probably like Supercrip too (comps):
- Russian Doll
- Dirk Gently's Holistic Detectives Agency
- Everything Everywhere All At Once
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Supercrip is a trope where a disabled character overcomes their disability through ✨sheer willpower✨ or magic despite no change to their health or accommodations.
It's a common inspirational spin for people who feel that it's not possible to be sick and live a good life at the same time. That the only reasonable thing to do is push through the pain rather than making healthcare and the spaces where life happens more accessible.
In the Villain trope, a character’s disability is an indicator of their immorality, and is often the source of resentment that makes them evil in the first place.
In the Victim trope a disabled character’s death is considered better than them “being alive and suffering,” especially when it’s despite no attempts to increase accessibility aids or healthcare.
It's all just the same idea:
That a disabled life isn’t worth living.
When you’re in pain, or resented for your inabilities, when you feel like you have no control over your own body, let alone your life, the thought that your life isn’t worth living is loud. It’s already loud. And it impacts real humans to have that same inner thought repeated back to us relentlessly in the stories we hear.
Because when it's repeated to us, it's easier to believe that it's true.
And on the other edge of this sword, we know from personal experience how much even a small story can impact what we believe about ourselves.
This section used to have an explanation of all the little intricacies of the story and their place in the allegory of chronic illness but you know what -- we can't convince anyone that their lives are worth living. It's pictures and music, like.
But I swear to god, they convince themselves.
What bridge a person builds between their own lives and a story is the path that carries what they then get out of it and you would not believe how many and how strong these bridges have been.
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she/they/he, disabled
Isabella has a fainting condition, OSDD, experience working with Carnegie Hall and Pixar, a BFA from NYU Tisch, and too much Italian DNA for her own good. She makes the storyboards, designs, and leads the team in production. fromisabella.com
Dislikes: Joseph Campbell, stay rollin' in your grave, buddy
Adores: Herb Gardens
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she, able
Alex has experience at Perception and Pixar, a BFA from NYU Tisch, and a great french toast recipe. She makes schedules designed with the teams' disabilities in mind and pitches in for production.
Dislikes: pet peeves
Adores: peanut butter, popcorn,
pajama pants, and p-words
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she, able
Delphine has a background in decarceration, nonprofit programs, and taking film classes for funsies. She believes in the power of visual storytelling as a tool for humanization, in both her work and her work on this project.
Dislikes: Windowless rooms.
Adores: Park walks sunny days, being cozy inside on rainy ones.
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they, disabled
Hannah has POTS, EDS, an art doll collection, and a service dog named Gwen. They keep the chaos cohesive during writing sessions, using their personal experience with large breed cardiac alert service dogs along the way.
Dislikes: Needles
Adores: Snakes
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“My organs aren’t healthy enough to harvest”
Subin knows that it takes being cutthroat to stay afloat in life. But despite enjoying the bloodlust work he does at the cult, he has trouble just watching others drown. When he is assigned to write reports on his new roommate Heidi (the cult's new "client") he falls in love with her and her unequal bravery, and is caught between two lies as Heidi's magic and the cult's directives both dangerously escalate.
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[Covered in blood] “Hi I'm so sorry to bother you”
Lola is stuck in a cycle of getting kidnapped by and escaping the cult. She's tried dying, but her magically-fueled alters won't let her. When Heidi becomes the first person to help her and survive, Lola becomes their roommate, in a tense agreement with Subin that if he doesn't tell the cult about her, she won't tell Heidi about the cult.
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"There's not enough Red Bull in my system to handle this."
Heidi is stunted in grieving for the life she thought she would live before getting a chronic illness. And when the telekinesis she thought was going to get it back for her becomes its own magical disability, the grieving starts over. Except this time, she doesn't stop at denial.
[Asked, is CLP a cult?] “No :)”
Ken is Subin's supervisor and CEO at the Cult of Lord Petra: Client Management Services. Subin was hired so Ken could create his own successor from the ground up (or kill him if things go awry). Which is more genuine – his apathetic bloodlust or goofy fatherly comfort – is impossible to tell. Enjoys: Bossa nova and poisonings.
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you know what would be funny

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