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This site and this project is under construction.
See you soon.
Supercrip is a 2D animated story about the grief of chronic illness through the only lens strange enough to suffice: magic and cults. Animated by disabled girls. Crowdfunded by exclusively hot and cool people, who want to see Supercrip exist for themselves and others. Made possible by an accessible production and animatic style.
A love ransom letter to all the girls who didn't think they'd live this long: our lives in sick and painful brains and bodies are still worth living.
As told by
Heidi - a self-explosive firefighter
Bark Twain - Heidi's cardiac-alert service dog
Lola - chased by cosmic horror, sorry to be a bother
Subin - an unpaid intern at a cult.
Each holding each others' fates in their very clumsy hands, each an inversion of the three most pervasive disability tropes: The victim, villain, and supercrip.
Supercrip is a 2D animated story about the grief of chronic illness through the only lens strange enough to suffice: magic and cults. Animated by disabled girls. Crowdfunded by exclusively hot and cool people, who want to see Supercrip exist for themselves and others. Made possible by an accessible production and animatic style.
A love ransom letter to all the girls who didn't think they'd live this long: our lives in sick and painful brains and bodies are still worth living.
As told by
Heidi - a self-explosive firefighter
Bark Twain - Heidi's cardiac-alert service dog
Lola - chased by cosmic horror, sorry to be a bother
Subin - an unpaid intern at a cult.
Each holding each others' fates in their very clumsy hands, each an inversion of the three most pervasive disability tropes: The victim, villain, and supercrip.
Quick Guide
⋙ Supercrip is a post-modernist fantasy-comedy
⋙ Our current production is committed solely to episode one of a proposed limited series
⋙ ~ 30 min episode runtime
⋙ Episode one will be published to YouTube
⋙ Phase one of production was successfully funded by a grassroots crowdfund ($6k goal, $6k raised)
⋙ Made possible by Limited Frame Animation (animatic style)
⋙ If you liked any of the following, you'll probably like Supercrip too (comps):
- Russian Doll
- Dirk Gently's Holistic Detectives Agency
- Everything Everywhere All At Once
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What's a Supercrip?
Supercrip is a trope where a disabled character overcomes their disability through ✨sheer willpower✨ or magic despite no change to their health or accommodations.
It's a common inspirational spin for people who feel that it's not possible to be sick and live a good life at the same time. That the only reasonable thing to do is push through the pain rather than making healthcare and the spaces where life happens more accessible.
What are
Victims and Villains?
In the Villain trope, a character’s disability is an indicator of their immorality, and is often the source of resentment that makes them evil in the first place.
In the Victim trope a disabled character’s death is considered better than them “being alive and suffering,” especially when it’s despite no attempts to increase accessibility aids or healthcare.
What about
the real people?
It's all just the same idea:
That a disabled life isn’t worth living.
When you’re in pain, or resented for your inabilities, when you feel like you have no control over your own body, let alone your life, the thought that your life isn’t worth living is loud. It’s already loud. And it impacts real humans to have that same inner thought repeated back to us relentlessly in the stories we hear.
Because when it's repeated to us, it's easier to believe that it's true.
And on the other edge of this sword, we know from personal experience how much even a small story can impact what we believe about ourselves.
What the hell are you Doing?
This section used to have an explanation of all the little intricacies of the story and their place in the allegory of chronic illness but you know what -- we can't convince anyone that their lives are worth living. It's pictures and music, like.
But I swear to god, they convince themselves.
What bridge a person builds between their own lives and a story is the path that carries what they then get out of it and you would not believe how many and how strong these bridges have been.
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Isabella
Showrunner
she/they/he, disabled
Isabella has a fainting condition, OSDD, experience working with Carnegie Hall and Pixar, a BFA from NYU Tisch, and too much Italian DNA for her own good. She makes the storyboards, designs, and leads the team in production. fromisabella.com
Dislikes: Joseph Campbell, stay rollin' in your grave, buddy
Adores: Herb Gardens
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Alex
Former Prod. Coordinator
she, able
Alex has experience at Perception and Pixar, a BFA from NYU Tisch, and a great french toast recipe. She makes schedules designed with the teams' disabilities in mind and pitches in for production.
Dislikes: pet peeves
Adores: peanut butter, popcorn,
pajama pants, and p-words
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Delphine
Assoc. Producer
she, able
Delphine has a background in decarceration, nonprofit programs, and taking film classes for funsies. She believes in the power of visual storytelling as a tool for humanization, in both her work and her work on this project.
Dislikes: Windowless rooms.
Adores: Park walks sunny days, being cozy inside on rainy ones.
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Hannah
Co-Story Writer
they, disabled
Hannah has POTS, EDS, an art doll collection, and a service dog named Gwen. They keep the chaos cohesive during writing sessions, using their personal experience with large breed cardiac alert service dogs along the way.
Dislikes: Needles
Adores: Snakes
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SUBIN
him
“My organs aren’t healthy enough to harvest”
Subin knows that it takes being cutthroat to stay afloat in life. But despite enjoying the bloodlust work he does at the cult, he has trouble just watching others drown. When he is assigned to write reports on his new roommate Heidi (the cult's new "client") he falls in love with her and her unequal bravery, and is caught between two lies as Heidi's magic and the cult's directives both dangerously escalate.
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LOLA
she/they
[Covered in blood] “Hi I'm so sorry to bother you”
Lola is stuck in a cycle of getting kidnapped by and escaping the cult. She's tried dying, but her magically-fueled alters won't let her. When Heidi becomes the first person to help her and survive, Lola becomes their roommate, in a tense agreement with Subin that if he doesn't tell the cult about her, she won't tell Heidi about the cult.
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HEIDI
she
"There's not enough Red Bull in my system to handle this."
Heidi is stunted in grieving for the life she thought she would live before getting a chronic illness. And when the telekinesis she thought was going to get it back for her becomes its own magical disability, the grieving starts over. Except this time, she doesn't stop at denial.
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BARK
“Bark Bark Bark”
This space is dedicated to Canine Partners for Life! A lifesaving organization that trains service dogs to perform physical tasks and give alerts for diabetes, POTS, cardiac conditions, epilepsy, balance support via harness, wheelchair assistance, and more.
KEN
he
[Asked, is CLP a cult?] “No :)”
Ken is Subin's supervisor and CEO at the Cult of Lord Petra: Client Management Services. Subin was hired so Ken could create his own successor from the ground up (or kill him if things go awry). Which is more genuine – his apathetic bloodlust or goofy fatherly comfort – is impossible to tell. Enjoys: Bossa nova and poisonings.
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Episode One Summary
"My Organs Aren't Healthy Enough To Harvest"
A countdown of hours “until the convergence” begins.
Heidi ties her service dog to an oven door at a party of firefighter trainees, so she can win a dangerous race to the top of the station. But she still faints after her victory. The chief suspends her until she “gets better,” but it’s not getting better.
Subin is exhausted by homelessness before heading out for another day of work at his unpaid internship at a literal cult. Until he is given a place to stay, inside the office, as a kind gesture from his ominous supervisor, Ken.
Lola has escaped from the cult, magically appearing inside a grocery store with a sword through her stomach, and trying to sweetly care for a now-horrified grocer while in so much pain and covered in so much blood.
By chance, or something more sinister, these three strangers converge that same night, unknowingly affecting each others’ fate, before simply carrying on. A new countdown begins.

Full Series Summary
THIS SECTION IS UNDER CONSTRUCTION :)
Heidi is a Fire Science undergrad, training to be a career firefighter, who suddenly developed a fainting condition two years ago. She’s now back after a gap year with a new service dog (Bark Twain) and a stunted grieving process for the life she thought she would be living. That is, until she suddenly develops telekinesis and is enthralled by the chance to reclaim her life as a literal supercrip, fighting fires and “overcoming” her disability with this new magic. Except that the telekinesis is tied to her blood pressure, and goes off in violent episodes, just like her disability. The grieving process restarts, but this time, she comes out the other end: realizing that it’s not about letting go of the life you love, but about falling in love with a new one that actually loves you back.

Ken is the CEO of CLP Client Management Services – aka, The Cult of Lord Petra. Many millennia ago a planet full of life became dust in the blink of an eye. In 1866 a chunk of that planet, imbued with drifting souls, sought out the empathy of other traumas in the universe and landed off the coast of Jeju Island. Since then, it has supernaturally formed tormented attachments with those around it. By 1923 it became the centerpiece-god of the Cult of Lord Petra in Paris; by 1942, it became the ingredient to test on injured soldiers returning to the US South; and today, it has become the political power reserve of a company whose main directive is to intimately catalog and suppress the now-superpowered descendants of the once-kidnapped soldiers. Being a descendant is a genetic predisposition that can be sparked into powers by the circumstance of having a chronic illness. Their powers are amplifications of their conditions onto the outside world. Which is all to say that they are disabled by magic, and the cult is their ableist “protector” who seeks to preserve the will of their god, magically-charged illnesses included: no accommodations, no medicines. The cultist workers who are assigned “clients” to stalk and write reports on are called missionaries.
Subin is an unpaid intern at the Cult of Lord Petra. Having been kicked out and unable to earn an income on his student visa, he is just trying to survive until graduation and stand out enough at CLP to be hired at the end of the semester. Unbeknownst to Subin, his supervisor, CEO, and father figure – Ken – hired him so that he could create his own successor from the ground up (or kill him if things go awry). Bonding more and more, Ken promotes Subin from intern to “missionary,” taking him from homelessness to living in a company-owned apartment. Which mainly serves as a place to share with his new roommate and “client”: Heidi. As he follows her journey of excitement, grief, and plenty of telekinesis-smashed mugs, they fall in love. And as her powers and the cult’s directives both dangerously escalate, he is caught between two lies: lying to Heidi about the fact that he’s making reports on her, and lying to Ken in those same reports to protect her. At the breaking point of Heidi’s condition, the cult gives Subin a tranquilizer gun, and a new crisis of choices and betrayal begins.
Lola is a descendant raised by the cult. From a childhood of complex traumas she developed OSDD 1b (a subtype of Dissociative Identity Disorder without full amnesia), which magically manifests into reality; when her alters (witch, pirate, and ghost) come to the front, their appearances and abilities come with them – and when she gets pulled into the inner worlds, she can bring objects back with her. Having escaped so many times from “Constant Care” – the cult’s voluntary suicide depot disguised as a last resort of safety for their “clients” – she is now on a short leash by means of a scant allowance that she must pick up in person, weekly. When she doesn’t show up, a battalion of cultists with tranq guns come to bring her back in until she inevitably attempts suicide, gets stopped by an alter, escapes, and the painful cycle repeats. What they don’t know is that she has been bringing knickknacks from the 21st century into the 18th century to sell them, and has been pawning the resulting doubloons for cash, saving up enough money to escape once and for all. That is until Frankie – a kind bystander – becomes the first person to help Lola and survive. Now they are both on the run as Lola’s first ever friendship begins, and death is no longer the only way out.
All throughout, Petra is facilitating a supernatural connection between the three: Heidi, Subin, and Lola – the would-be Supercrip, Villain, and Victim. Via Lola, Heidi, and the Cult’s magics, portals and domino effects topple into each others’ worlds. Their fates are in each others’ clumsy hands as they unknowingly affect what happens to each other.

At the boiling point of this story, Subin has betrayed Heidi, thinking it would save her life, bringing her into Constant Care where she faces her grief eye-to-eye for the first time, and sees that she’s not the only one with magical conditions. Bark Twain, who has recently begun alerting to telekinetic episodes, finds his way to Lola and Frankie. And having survived shootouts, inner worlds, and mistakes, Lola and Frankie finally decide to kill Petra and stop running. The four of them finally converge as Subin tries to break Heidi out of Constant Care, and Lola and Frankie come in for their kill.
This story does not end in self sacrifice or of peace after some final boss is ridden. It ends with people, who felt their lives weren’t living, finding health and compassion in themselves and others. And taking a sledgehammer to a meteorite.

