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Characters
+ Story
AboutBehind the
scenes
Progress
Tracker!
Our
Team
Holding each others fate in their clumsy hands.   
An interactive starry sky is in the background with the word “Supercrip” in big floating letters above it. As you move your mouse the letters separate and change colors and the stars are drawn to your mouse as if it has gravity. The links to the page are surrounding the word Supercrip in a circle around it. A brightly colorful hand sticking out of the left side of the page holding a sword dripping in bloodA brightly colorful hand sticking out of the top of the page holding a dog leashA brightly colorful hand sticking out of the bottom side of the page holding a spoon
In the background behind the video is a fire that looks like it’s consuming the video and billowing in smoke. On the top of the video, as if installed into it is a fire hydrant and on the left edge a sword and tranquilizer darts are stuck into the side of it.

Supercrip is a magical-chaos allegory of illness made by disabled filmmakers as a 2D limited-animation (animatic style)  fantasy-comedy series.

three strangers hold each others fate in their very clumsy hands: two chronically ill girls with uncontrollable magic and an unpaid intern from the cult that's coming after them. Each an inversion of a pervasive disability trope — victim, villain, and supercrip.

Quick Guide

Supercrip is a post-modernist fantasy-comedy
Our current production is committed solely to episode one of a proposed limited series
~ 30 min episode runtime
Episode one will be published to YouTube
Phase one of production was successfully funded by a grassroots crowdfund ($6k goal, $6k raised)
Made possible by Limited Frame Animation (animatic style)
If you liked any of the following, you'll probably like Supercrip too (comps):

- Russian Doll
- Dirk Gently's Holistic Detectives Agency
- Everything Everywhere All At Once

A CUTE LITTLE COAT FOR THE CUTE LITTLE WORM!
A painting of a WORM - a CUTE WORM

What's a Supercrip?

       Supercrip is a trope in which a disabled character has seemingly overcome their disability through ✨sheer willpower✨ or magic despite no other changes to their actual health or accommodations.

       It's portrayed as inspirational, but it causes real harm to real humans by reinforcing the idea that being sick is not acceptable, and the onus is on disabled people to push through the pain rather than on our communities to increase accessibility and access to healthcare.

What about
Victims and Villains?

       In the Villain trope, a character’s disability is a visual signifier of their evilness, and is also often the fuel of resentment that makes them evil in the first place.

       In the Victim trope a disabled character’s death is considered better than them “being alive and suffering,” especially when it’s despite no attempts to increase accessibility aids or healthcare.

How does that alter
the real lives of
real humans?

These tropes seem opposing, but they are all just different expressions of the same false idea:

That a disabled life isn’t worth living.

       When you’re in pain, when you're resented for your inabilities, when you feel like you have no control over your own body, let alone your life, the thought that your life isn’t worth living is loud. It’s already loud. And it impacts real humans to have that same inner thought repeated back to us in the stories we consume. Because when it's repeated to us, it's easier to believe that it's true.

       Our mission is to repeat the fact that life with a disability is still a life worth living. Because we know from personal experience how hard of a belief it is to hold onto in our greatest pain and at our lowest moments, and how much even a small story can impact what we believe.

How is
the Supercrip Series
changing any of that?

       Supercrip is an allegory of what it's like to be disabled at three stages, using inversions of the three most pervasive disability tropes.

       Our inversions of these tropes are built on the details that so many disabled people relate to, but don’t often realize are common experiences because they’re rarely present in our stories or conversations:

Heidi

Inversion of the Supercrip in the first few years after symptoms begin. It's very common to be undiagnosed for many years while you (and those around you) are stuck in denial, which ultimately withholds the accommodations you need.

Subin

Inversion of the Villain with a sudden onset. It's very common for disabled people to be treated like their illness was a result of bad choices, and thus it correlates to their morality and humanization (or lack thereof).

Lola

Inversion of the Victim with a chronic illness that she's had since she can remember. It's very common with long-term illnesses to feel stuck between trying to survive and trying to escape, even if the latter counterintuitively means death.

What About Production?

“We don’t want to break a glass ceiling in a building that wasn't designed for us to be in. We want to build our own.”

       There are few places where the phrase “time is money” is more true than in the midst of a studio production. And the number one prerequisite for accessibility – is time. Standard productions are constructed so centrally around low costs via high efficiency – with 10-12 hour days, a non-tolerance for missing or being late to set, and a high pressure environment to have the fastest turnaround – that it would take a completely restructured approach to production in order to make it accessible to most disability accommodations.

And that’s exactly what we did.

Limited Frame Animation

Amidst the current indie animation renaissance, animatics and expressive styles are also on the rise. "Animatics" use Key animation without in-betweens to signify (but not smooth out) motion. Expressive styles also often utilize energetic rendering to add to the sense of motion without extra frames.

It's a workflow we can do from bed, at all weird hours of day and night, and takes what would have been an impossibly long production more possible.

This is why a project like ours is possible for one of the first times in history.

Crowdfunding

Having crowdfunded phase one of production means that we are beholden to the fans who want to see the story they love and the significance of how we are making it, rather than to investors who want to see profits at speed.

A Team of Disabled Artists

No need to apologize, no need for excuses. The expectation is that half of our meetings will be missing someone or canceled due to the un-scheduable nature of chronic episodes. So we work with it, not against it: every meeting has a rain day scheduled, a recap sent to the team, and a prioritization of people > pushing it.

It's not easy, but it's a step unlike any other in the industry.

A sticky note with a hand written message reading “Please don’t microwave fish products in the break room” with the word please capitalized and circledA sticky note with a hand written message reading “Monday night blood ritual now at 4:30!” With a smiley face and heartA sticky note with a hand written message reading “Monday night blood ritual now at 4:30!” With a smiley face and heartA sticky note with a hand written heart that says “lord Petra” insideFloating next to information about them is an ID card with bad graphics reminiscent of the early 2000’s. It has a logo for the CLP Client Management company at the bottom and a message at the top that reads “May Lord Petra Smite Thine Enemies.” The ID card has the picture and name of Alex Gutierrez on it with the title “Production Coordinator” under her name. She is smiling on a white background like a standard corporate ID. Her shoulder-length hair is dark and curly with a medium-light complexion and a small stature. Oh also the ID card is covered in blood.

Alex

Production Coordinator

she/her, abled

Alex has experience at Perception and Pixar, a BFA from NYU Tisch, and a great french toast recipe. She makes schedules designed with the teams' disabilities in mind and pitches in for production.

Dislikes: pet peeves
Adores: peanut butter, popcorn,
pajama pants, and p-words

Floating next to information about them is another ID card with the CLP Client Management logo at the bottom. This ID card has the picture and name of Jane Phan on it with the title “Associate Producer” under the name. She is smiling awkwardly, in a funny way, on a white background like a standard corporate ID. She is an East Asian girl with short, black, straight hair and a light complexion. She’s also wearing a bright yellow turtleneck and glasses. Oh also the ID card is covered in blood.

Jane

Assoc. Producer

she/her, medicated + vibing

Jane has a background in book publishing and a deep love for Garfield. She uses her editing skills for scripts and emails alike.

Dislikes: When it's cold in the morning so you have to wear a coat, but then it gets warmer so you have to take the coat off and carry it on your way home.
Adores: Short walks and long naps on the beach.

Floating next to information about them is another ID card with the picture and name of Isabella Lo Russo on it, and with the title “Show Runner” under the name. She is smiling on a white background like a standard corporate ID. She is white with long, wavy, brown hair, a pale complexion, and big round pink glasses. Oh also the ID card is covered in blood.
A sticky note with a hand written message reading “don’t forget to dry clean your ceremonial robes” in all caps

Isabella

Showrunner

she/they/he, invisibly disabled

Isabella has a fainting condition, OSDD, experience working with Carnegie Hall and Pixar, a BFA from NYU Tisch, and too much Italian DNA for her own good. She makes the storyboards, designs, and leads the team in production.

Dislikes: Joseph Campbell, stay rollin' in your grave, buddy
Adores: Herb Gardens

Floating next to information about them is another ID card with the picture and name of Hannah Maples on it. They are smirking while wearing a dark hoodie with the hood up, mischievously. They are white with a buzzcut, thick eyebrows, and a pale complexion. Their title is co-writer. Oh also the ID card is covered in blood.

Hannah

Co-Story Writer

they/them, disabled

Hannah has POTS, EDS, an art doll collection, and a service dog named Gwen. They keep the chaos cohesive during writing sessions, using their personal experience with large breed cardiac alert service dogs along the way.

Dislikes: Needles
Adores: Snakes

Subin is painted solely in red monochrome. In this character art he is in a dark gothic cistern holding a steaming coffee and an office lanyard dripping with blood. His back is facing the camera but his head is turned back, looking over his shoulder. A torch is mounted to the wall next to a flier that reads “Taco Tuesdays! 1:00pm in the break room :)”

SUBIN

Pronouns: he/him
Quote: “My organs aren’t even healthy enough to harvest”
Occupation: Unpaid intern at a cult
Disability status: Not disabled…yet.

Subin is just trying to get hired, even if it means bloodlust and writing reports on the cult's newest client: his roommate Heidi. That is, until they fall in love, and he is caught between two lies, as Heidi’s magic-fueled episodes and the cult’s directives both dangerously escalate.

Painting of Lola. She is in an ethereal white void, on her knees in front of another girl who is under a bedsheet like a ghost and seen only in silhouette. Lola is lifting up the bedsheet to peek underneath while supporting herself with her other hand on the ground.

LOLA

Pronouns: she/they
Quote: [Covered in blood] “I'm so sorry to bother you”
Occupation: Sells 21st c. baubles to the 1700s, then pawns the doubloons.
Disability status: Invisibly disabled with OSDD-1b (A subtype of D.I.D.)

Stuck in a cycle of failing to escape the cult; Lola wants to die, but her alters won’t let her. Until Frankie, a kind bystander, becomes the first person to help Lola and survive. Now they're both on the run as Lola’s first ever friendship begins, and death is no longer the only way out.

Heidi is painted in naturalistic, dull colors. In her character art, Heidi is squatting on the ground with a cigarette in her mouth, and her hand scrunched up on her head in thought, while reading a manual that reads “How to use the Harness 5000.” Bark Twain, a golden retriever, is in the background with a harness strapped completely sideways around his body so that the strap is covering up half his face and he looks very uncomfortable.

HEIDI

Pronouns: she/her
Quote: "There's not enough Red Bull in my system to handle this emotionally."
Occupation: Firefighter Trainee
Disability status: Visibly disabled with an undiagnosed case of POTS.

Heidi is stunted in grieving for the life she thought she would live before getting a chronic illness. And when the telekinesis she thought was going to get it back for her becomes its own magical disability, the grieving starts over. Except this time, she doesn't stop at denial.

Painting of Bark Twain. He's an adorable golden retriever wearing a spike collar and holding a knife in his mouth.

BARK

Pronouns: Is a dog
Quote: “Bark Bark Bark”
Occupation: Cardiac Alert Dog
Disability status: Is dog

This space is dedicated to Canine Partners for Life! A lifesaving organization that trains service dogs to perform physical tasks and give alerts for diabetes, POTS, cardiac conditions, narcolepsy, epilepsy, balance support via harness, wheelchair assistance, and more. Their impact cannot be understated, so if you're interested, check out their site to learn more!



KEN

Pronouns: he/him
Quote: [If asked, is CLP a cult?] “No :)”
Occupation: CEO of CLP
Disability status: Abled

Ken is Subin's supervisor and CEO at the Cult of Lord Petra: Client Management Services. Subin was hired so Ken could create his own successor from the ground up (or kill him if things go awry). Which is more genuine – his apathetic bloodlust or goofy fatherly comfort – walks a thin line. Enjoys: Bossa nova and murder.



Episode One Summary

"My Organs Aren't Healthy Enough To Harvest"

A countdown of hours “until the convergence” begins.

Heidi ties her service dog to an oven door at a party of firefighter trainees, so she can win a dangerous race to the top of the station. But she still faints after her victory. The chief suspends her until she “gets better,” but it’s not getting better.

Subin is exhausted by homelessness before heading out for another day of work at his unpaid internship at a literal cult. Until he is given a place to stay, inside the office, as a kind gesture from his ominous supervisor, Ken.

Lola has escaped from the cult, magically appearing inside a grocery store with a sword through her stomach, and trying to sweetly care for a now-horrified grocer while in so much pain and covered in so much blood.

By chance, or something more sinister, these three strangers converge that same night, unknowingly affecting each others’ fate, before simply carrying on. A new countdown begins.

Full Series Summary

THIS SECTION IS UNDER CONSTRUCTION :)

Heidi is a Fire Science undergrad, training to be a career firefighter, who suddenly developed a fainting condition two years ago. She’s now back after a gap year with a new service dog (Bark Twain) and a stunted grieving process for the life she thought she would be living. That is, until she suddenly develops telekinesis and is enthralled by the chance to reclaim her life as a literal supercrip, fighting fires and “overcoming” her disability with this new magic. Except that the telekinesis is tied to her blood pressure, and goes off in violent episodes, just like her disability. The grieving process restarts, but this time, she comes out the other end: realizing that it’s not about letting go of the life you love, but about falling in love with a new one that actually loves you back. 

A brightly colorful hand sticking out of the top of the page holding a dog leash

Ken is the CEO of CLP Client Management Services – aka, The Cult of Lord Petra. Many millennia ago a planet full of life became dust in the blink of an eye. In 1866 a chunk of that planet, imbued with drifting souls, sought out the empathy of other traumas in the universe and landed off the coast of Jeju Island. Since then, it has supernaturally formed tormented attachments with those around it. By 1923 it became the centerpiece-god of the Cult of Lord Petra in Paris; by 1942, it became the ingredient to test on injured soldiers returning to the US South; and today, it has become the political power reserve of a company whose main directive is to intimately catalog and suppress the now-superpowered descendants of the once-kidnapped soldiers. Being a descendant is a genetic predisposition that can be sparked into powers by the circumstance of having a chronic illness. Their powers are amplifications of their conditions onto the outside world. Which is all to say that they are disabled by magic, and the cult is their ableist “protector” who seeks to preserve the will of their god, magically-charged illnesses included: no accommodations, no medicines. The cultist workers who are assigned “clients” to stalk and write reports on are called missionaries.

Subin is an unpaid intern at the Cult of Lord Petra. Having been kicked out and unable to earn an income on his student visa, he is just trying to survive until graduation and stand out enough at CLP to be hired at the end of the semester. Unbeknownst to Subin, his supervisor, CEO, and father figure – Ken – hired him so that he could create his own successor from the ground up (or kill him if things go awry). Bonding more and more, Ken promotes Subin from intern to “missionary,” taking him from homelessness to living in a company-owned apartment. Which mainly serves as a place to share with his new roommate and “client”: Heidi. As he follows her journey of excitement, grief, and plenty of telekinesis-smashed mugs, they fall in love. And as her powers and the cult’s directives both dangerously escalate, he is caught between two lies: lying to Heidi about the fact that he’s making reports on her, and lying to Ken in those same reports to protect her. At the breaking point of Heidi’s condition, the cult gives Subin a tranquilizer gun, and a new crisis of choices and betrayal begins.

Lola is a descendant raised by the cult. From a childhood of complex traumas she developed OSDD 1b (a subtype of Dissociative Identity Disorder without full amnesia), which magically manifests into reality; when her alters (witch, pirate, and ghost) come to the front, their appearances and abilities come with them – and when she gets pulled into the inner worlds, she can bring objects back with her. Having escaped so many times from “Constant Care” – the cult’s voluntary suicide depot disguised as a last resort of safety for their “clients” – she is now on a short leash by means of a scant allowance that she must pick up in person, weekly. When she doesn’t show up, a battalion of cultists with tranq guns come to bring her back in until she inevitably attempts suicide, gets stopped by an alter, escapes, and the painful cycle repeats. What they don’t know is that she has been bringing knickknacks from the 21st century into the 18th century to sell them, and has been pawning the resulting doubloons for cash, saving up enough money to escape once and for all. That is until Frankie – a kind bystander – becomes the first person to help Lola and survive. Now they are both on the run as Lola’s first ever friendship begins, and death is no longer the only way out.

All throughout, Petra is facilitating a supernatural connection between the three: Heidi, Subin, and Lola – the would-be Supercrip, Villain, and Victim. Via Lola, Heidi, and the Cult’s magics, portals and domino effects topple into each others’ worlds. Their fates are in each others’ clumsy hands as they unknowingly affect what happens to each other. 

A brightly colorful hand sticking out of the left side of the page holding a sword dripping in blood

At the boiling point of this story, Subin has betrayed Heidi, thinking it would save her life, bringing her into Constant Care where she faces her grief eye-to-eye for the first time, and sees that she’s not the only one with magical conditions. Bark Twain, who has recently begun alerting to telekinetic episodes, finds his way to Lola and Frankie. And having survived shootouts, inner worlds, and mistakes, Lola and Frankie finally decide to kill Petra and stop running. The four of them finally converge as Subin tries to break Heidi out of Constant Care, and Lola and Frankie come in for their kill.

This story does not end in self sacrifice or of peace after some final boss is ridden. It ends with people, who felt their lives weren’t living, finding health and compassion in themselves and others. And taking a sledgehammer to a meteorite.

A brightly colorful hand sticking out of the bottom side of the page holding a spoon

Behind the Scenes

Behind the Scenes

In the background, a mystical golden sword pierces diagonally through the video, with sparks flying out of both ends and blood dripping from the bottom as though the video could bleedIn the background, a golden fork, spoon, and knife, each dripping with a flick of blood and highlighted with little hearts, are toppling down the page, as if into the videoIn the background golden doubloons spill from the bottom of the video down the page

Progress Tracker

for the completion of episode one

35% Complete
Phase I
Pre-Production
Current - 45%
Phase II
Production
Next - 75%
Phase III
Post-Production
Waiting - 100%
click here for the
Full Progress Report!

with All our drawings

CULT of COLLABORATION

scroll down to view
A sketch of the three main characters: Subin, Heidi, and Lola, holding onto each other in a big friendly way, drawn in orange on an orange background with the word “Thank you!” In big letters above them. The rest of the images in this section are fan-made drawings and do not have image descriptions. Many apologies about that.

Send yours to supercripseries@gmail.com

@lonelymanslazarus

@minuro63

@artfromisabella